CURRENT EXHIBITION | IT ALL BELONGS | Opening Reception - Wednesday, June 25, 4 - 7 pm Artist Talk - Wednesday, July 16, 6:30 - 8 pm British Columbia-based photographer Chad Chomlack invites viewers into a profound exploration of nature's spiritual essence through his limited edition print series, It All Belongs. Serving as a meditative journey into presence, wonder, and interconnectedness, Chad’s work highlights the belief that every moment—be it filled with joy or challenge—holds inherent value and purpose. Through his lens, Chad captures the emotional and spiritual landscapes that bind us to the natural world and invites us to pause, reflect, and recognize the sacredness in every moment, urging a deeper connection to each other and the world around us. Each image reflects a personal journey of embracing life's full spectrum, grounded in the mantra that “it all belongs.”

CURRENT EXHIHBITION | Visit the Dal Schindell Gallery between May 14 and June 12, 2025, to view Clothed in Glory: Learning to Embody Christ, a textiles exhibition by Freeman Lam. Join us for Freeman’s creative presentation on May 14 at 4:30 pm in the Chapel, followed by an opening reception in the Dal Schindell Gallery.

CURRENT EXHIBITION | APRIL 9, 2025 - MAY 8, 2025 Artist Presentation - Wednesday, April, 9 3-4pm Room 10 Opening Reception - Wednesday, April 9, 4-7pm Visit the Dal Schindell Gallery between April 9 and May 8, 2025, to view Martyrs in Monochrome, an exhibition of black-and-white portraiture by Christina Hubbard.

JANUARY 15, 2025 - MARCH 27, 2025 Reception - Wednesday, January 15, 2025 - 4-7pm Artist Talk - Monday, January 27, 2025 - 6-7:30pm In/dwellings features a selection of artworks made by Professor Jonathan Anderson over the course of nearly a decade, 2005 to 2014. Drawn from three different series, these works all begin from the premise that representational paintings are like built structures, setting up provisional spaces for negotiating our ways of dwelling in the world. In many of his paintings, Anderson purposefully conflates the construction of an image with the (re)construction of a building, a chapel, a home. Ultimately, this exhibition is an extended meditation on what George Steiner called the “covenant between word and object, the presumption that being is, to a workable degree, ‘sayable.’”

Shirley Wiebe shares a series of new sculptural installations that consider her Mennonite background and history. The recurring form of a found staircase embodying concepts of passage, challenge, and destination intermingles with works in a state of perpetual motion, untangling and tangling. Her process is based on studied physical interaction with materials in unfamiliar combinations, which she gathers on site or repurposes from remnants. This is her way of dismantling the past to manifest the present.

June 24, 2024 - August 9, 2024 In Tracing Memory, Aiden Kirkegaard investigates how the physical and material processes of painting can elicit memory and dreaming. Transforming moments and movements in real spaces into form and colour, Aiden’s work evokes a visual representation of daydreaming.

Despite its abundant beauty, Vancouver is becoming known as a broken, disconnected, and increasingly lonely place. Since moving to Vancouver, Australian photographer Genevieve Walker has uncovered a hidden patchwork of people who are helping others and building community. Walker's photography exhibition Loaves and Fishes: Vancouver's Hidden Helpers captures the unique slices of life for each of these people, in hopes of celebrating the offerings of their own loaves and fishes within the city.

sik teng mm sik gong (pardon my chinese) consists of a series of large format 4x5 photographs that are part of an investigation into Hong Kong-Canadian diasporic identity and the ways that it manifests through familial relationships, domestic spaces and objects.

Patricia June Vickers’ paintings invite the viewer on a journey of inquiry into the cause-effect, action-reaction of events in history.

"Homecoming" is a multi-medium meditation of becoming human and what it means to live as intra-beings.

A visual conversation between the human form and the natural world.

You're invited to a reception at the Dal Schindell Gallery on Thursday, May 18 from 4 to 7 pm for the opening of artist Thomas Brasch’s exhibition Life-Light. The reception will be preceded by a pre-show talk from 2 to 3 pm with the artist and his special guest Amanda Hope Haley.

Sarah Kurbjuweit presents her Integreated Project in Art and Theology with "Rhythm and Roots", a visual art exhibition in the Dal Schindell Gallery.

A Beauty Eclipsed is Daniel Du's Integreated Project in Arts and Theology exploring themes of longing, beauty, and the profane in attempt to wrestle with everyday wonder and mystery.

Watercolour artist Paul Spilsbury brings us "Chasing the Light", an exhibition exploring the play of light in our Pacific Northwest landscapes.

In Ghislain Brown-Kossi’s latest series, titled Artifact II, the artist pushes the boundary of his earlier exploration of a juxtaposing concept: the archaeological pop artist.

Janaki Larsen is a ceramist, a mother, and an ephemeralist who brings us an assemblage of pieces that make up Larsen's S E L F - A S S E M B L Y. Come and experience this unique exhibition where the roles of artist and curator blend in Larsen's work.

Regent College received The Saint John's Bible Heritage Edition in September 2021 thanks to the gift of a very generous donor. The Heritage Edition is a fine art reproduction of The Saint John's Bible, the first handwritten, illuminated Bible in the modern era.

City Illuminated is a collection of selected works from visiting Korean artist and professor, Min Young Kim.

"Through Your Lens" is a group exhibition featuring artwork from young artists who are a part of Creative Life.

Anton Dolfo-Smith's paintings explore the journey of witnessing his father's dementia.

In this exhibition, Kate Miller transforms ordinary clothing by manipulating traditional patchwork patterns via the slow labour of hand sewing.

Lost and Found is a solo exhibition that explores themes of place, grief, and identity.

Global Pandemic is fine art photographer Michelle Leone Huisman’s statement on the two pandemics we are currently facing: COVID-19 and a second more insidious accumulation of waste produced in response.

Regent’s Dal Schindell Gallery is pleased to present Common, an exhibition featuring a selection of illustrations by artist and architect José Euzébio Costa Silveira found in the book Common: Fifty Reflections On Everyday Life. José was commissioned by Julie Lane-Gay and Christina Lui to illuminate the essays written by the book’s fifty contributors in commemoration of Regent College’s 50th anniversary and the College’s commitment to theology for life. The Dal Schindell Gallery exhibition celebrates José’s artistic contribution to the book.

A collective art exhibition by The Colour Collective, an interdisciplinary group of local artists whose practices both engage and express experiences of disability.

Photography is often considered in terms of its technical process and finished product, the image. This project, by contrast, seeks to explore its creation: the process of “hosting” light—the visible world in this present moment—within the camera as in the eye; the process and gift of attention.

This collection of paintings represent the felt landscape of a city neighbourhood. They are a reminder that the earth is never quiet. Even on the shortest of November days, slow work is happening beneath the soil. The blossoms of May are a revelation every Spring, but little miracles are unfurling all year round, if you know where to look for them.

Healing in Colour explores the intersection of race, faith, and mental health. Featuring Black, Indigenous, and peoples of colour artists from around the world, the show highlights their experiences, wounds, and journeys of healing.

The show is a visual exploration that draws on biblical types and shadows to express some of the hopes and sorrows of life under the sun. Rooted in Scriptures and Brazilian culture, it is a personal journey of a pastor, graphic designer, and visual artist making sense of reality while grappling with the possibilities and tensions of the Gospel and his own culture.

Paying tribute to her Bolivian roots, Amestegui integrates patterns of Andean textile art with graphic design, re-interpreting the liturgical calendar for her homeland's cultural context.

Runions' banners have long hung in the Regent College Atrium and Chapel. Now brightening the walls of the Dal Schindell Gallery, this colourful exhibition highlights her working art, models, and mock-ups throughout the years.

Surrounded by constant connection, why do we feel so lonely? Amidst beguiling individualism, we seem to be losing our individual and collective stories. What does it mean to ‘belong’ when the opposite of an individual is no longer the crowd?

During Vancouver's temporary citywide shutdown, those who ventured into the city's core discovered that art had replaced many storefront windows. It was a reminder of hope, humanity, and the transformative capacity of art. As uncertainty loomed, creatives filled spaces and hearts with evocative imagery and beauty, giving voice to our common experience.

Tofino artist and Regent alumnus Dan Law explores themes through an eclectic array of wood and charcoal installations.

Haitao Yin's paintings, conveying his love of natural scenery and the pursuit of a peaceful state of mind.